Kotb discovered the camera in a Cairo market, later uncovering a history that linked the device to Egyptian athletes at the 1936 Berlin Olympics and the 1954 World Cup. Preparing for the tournament required a rigorous study of vintage manuals, as the process of loading film and manual exposure settings demanded a precision lost in the digital age. Moving from a workflow of 5,000 photos per game to a deliberate, single-shot approach forced a fundamental shift in how he engaged with the stadium environment.
Though he captured matches in Toronto and Vancouver, Kotb was denied accreditation for the final in the United States after four separate attempts. Despite the rejection, the experience of navigating the pitch with the antique equipment served as a bridge between the past and the present. He is currently awaiting the results of his film development in Egypt, describing the anticipation as a life-altering event. The project has garnered significant attention online, with followers eager to see if his analog gamble produced images that transcend the limitations of his 95-year-old lens.
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